VICTIME

POST-PUNK| NO WAVE


VICTIME_credit_Dominic_Berthiaume.jpg

Biberonnés à Sonic Youth et aux têtes de proues de Riot grrrl (Bikini Kill, Le Tigre), inspirés par le noise des 90’s, allant chercher la mémoire de Lizzy Mercier Descloux, ces trois-là donnent un souffle punk, mettent de la fougue dans l’ordinaire et le divertissement. VICTIME, c’est aussi trois têtes qui avancent en même temps en faisant triompher le collectif. Après Mon VR de rêve, premier EP paru en mars 2017, VICTIME est de retour, un an plus tard avec un nouvel album, La femme taupe, paru sous Michel Records.

(Michel Records)  

CONTACT:
QC:
MARILYNE@MOTHLAND.COM
CAN/US:
JULIANA@MOTHLAND.COM

Spotify  / Bandcamp / Youtube / Facebook / Instagram

 

Albums 


Concerts


Vidéos


Presse

Quebec trio Victime also impress, singing entirely in French throughout and playing a variety of angular post-punk that harks back to the halcyon era of Delta 5, The Au Pairs, and Kleenex. They’re one of the region’s hidden musical gems we implore you to check out, particularly last year’s excellent La Femme Taupe long player which we track down in the town’s excellent Joubec store
— Under The Radar
Victime’s debut album is as weird as it is addictive.
— CBC
Victime are a powerful trio that immediately are a hit with everyone in the venue. Choppy Primus/Gang Of Four-esque guitars, pounding drums and manic, shouty vocals from powerhouse frontwoman Laurence Gauthier-Brown; what’s not to like?
— Gigwise
their energy was infectious, the bass lines lithe and groovy. Singer Laurence Gauthier-Brown was a cool-as-hell frontperson, too, wringing passion out of her bass-and-vocals performance as she alternated between crooning and wailing.
— Exclaim!
By the end of the set it felt like anything could happen, more cowbell, more screaming sax, more breakbeats. I still didn’t feel like I understood what was happening, but I left with a bewildered smile plastered on my face.
— Brooklyn Vegan
This record has a ton of groove to it, really emphasized in the percussive accents to songs, starting with the opener “Herbes et curiosités.” The guitars have their own swing to them, giving an element of added rhythm to the track’s hectic feel. The chaotic feel of the record never dials down, finding new and intricate ways to push songs forward with plenty of exotic moments throughout
— New Noise Magazine

Événements Majeurs

PREMIÈRES PARTIES:
Lydia Lunch Retrovirus, SOLIDS, Guerilla Toss, FRIGS,
Les Marmottes Aplaties, Ponctuation, Jesuslesfilles

FESTIVALS
Les Francos (2019)
FME (2019)
Taverne Tour (2019)
DISTORSION (2018)
Festival Diapason (2018)